Our Collections
Wylie House Museum is extremely fortunate to have many Wylie family artifacts in addition to other period antiques. The descendants of both Andrew and Theophilus Wylie have been generous in donating furniture, glassware, china, paintings, photographs, textiles, and literally thousands of family letters and documents. These materials help us to tell the story of the Wylie families and early Bloomington and IU history and add a special touch to the house. Below you will find a gallery of images of some Wylie artifacts.
The museum also has a rich textile collection that includes table linens, quilts, hand woven coverlets, clothing and accessories from the 19th century. Some of these are Wylie family artifacts and some were donated by others who support our work here. A second image gallery showcases some of our favorite textiles.
Housed in the Morton C. Bradley, Jr. Education Center is a large collection of books owned by Theophilus A. Wylie and his extended family. We have furnished one room on the second floor with these books and furniture that belonged to the family. While the books have been cataloged using our museum collection software, they are not yet in IU-Cat. Many of the books are in somewhat fragile condition, but we are slowly working toward having the needed conservation work performed on them so that interested researchers could use them on-site. Thanks to the Bradley bequest and another gift from a descendant of Andrew Wylie, we also have an amazing archival collection of family correspondence, photographs, and ephemera. The letters are being transcribed, finding aids are available, and some of the letters have been digitized and are available to view at Archives Online at Indiana University through the IU Digital Library Program.
IU student interns, graduate assistants, and volunteers, mostly from the School of Library and Information Science, have helped us catalog, document and house these collections and we are grateful for their eager and enthusiastic help. We encourage them and other IU students and faculty to study our collections and use them in their research projects and teaching. When IU classes visit the museum, we often pull out materials that are not otherwise on display which will help us speak to the special interests of a particular class. Faculty members interested in bringing their classes or selected students to the museum are invited to contact our Curator of Education, Bridget Edwards, for further information.
Photo Gallery: Wylie Artifacts
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This sideboard came down the Ohio River with Dr. and Mrs. Wylie, then overland on a wagon when they moved from Washington County, PA to Bloomington, IN in 1829. -
Painted chair with rush seat belonged to Andrew and Margaret Wylie. It was donated to the museum by one of their great-granddaughters in 2004. -
Bronze copy of the Pantheon is actually an inkwell that belonged to Andrew Wylie. The roof lifts off to reveal two cobalt blue glass vials for ink and a small shaker for fine sand. Wylie great-great-grandchildren donated this item to the museum in 2006. -
This lovely rocking chair once belonged to Margaret Wylie, Andrew's wife. It was donated by a great-granddaughter in 2004. We had it reupholstered. -
Small case was for holding calling cards. It belonged to one of Andrew Wylie's 5 daughters, Elizabeth Wylie McCalla. -
Small leather and velvet sewing box that belonged to Jane M. Wylie, youngest child of Andrew and Margaret. Inside is an assortment of small sewing tools and small compartments for storing thread, needles and other paraphernalia. -
This tall chair with woven splint seat was used by the Wylie family when Andrew and Margaret had toddlers at home up until the 1990s when direct descendants donated it to the museum. -
Margaret Wylie had a lot of sewing to do for her family of 12 children. This sewing table belonged to her. Inside there are compartments for various small projects and sewing tools, as well as holders for spools of thread. -
Clocks and watches were not so common in Andrew Wylie's day. Sundials like this one were sometimes used to tell time. -
One of Andrew's daughters, Margaret, married a minister and went with him to China in 1850. She sent back these and other carved soapstone pieces for her sisters and parents. -
Irene Wylie, 9th child of Andrew and Margaret, owned this small silver coin purse. -
One of two surviving chairs from a set of 12 that belonged to Andrew and Margaret Wylie. -
A gathering or egg basket that once belonged to Margaret Wylie. -
These eye glasses once belonged to Samuel Brown Wylie of Philadelphia, father of Theophilus A. Wylie. -
Mahogany chest with lyre top and mirror that once belonged to Theophilus A. Wylie's parents in Philadelphia. It was sent to Theophilus and Rebecca in Bloomington in 1852. -
Portrait of Theophilus A. Wylie, painted by Charles B. King in 1832 when Theophilus was 22 years old. -
Theophilus took some painting lessons as a young man and sketched and drew (often in his books) his whole life. This ink and watercolor he titled "The Fiddle Master." He passed his artistic talent on to several of his children and grand-children. -
Clay pipe that belonged to Theophilus A. Wylie. -
Rebecca Dennis Wylie's father was Col. Richard Dennis. While serving in the US Navy, he traveled to New Orleans where he purchased this large French urn for his daughter Rebecca. -
Rebecca and Theophilus' oldest son, Richard, showed considerable artistic talent. His life was cut short when he died of disease while serving in the Union Army during the Civil War. This is one of his paintings. -
Samuel Brown Wylie bought a large double set of Meissen ironstone china in 1830 for his new Philadelphia house. This large tureen is one of the surviving pieces that were bequeathed to Wylie House in 2004. -
Margaret Wylie Mellette was the second daughter of Theophilus and Rebecca. She took up china painting after her four sons were grown and painted this IU cup and saucer for her sister Louisa Wylie Boisen. -
Two grandsons of Theophilus Wylie became commercial artists. Anton Boisen, who made this pencil drawing, also had artistic ability, but he drew only for his own amusement. -
Portrait of Samuel Brown Wylie, father of Theophilus A. Wylie. It was painted between 1805 and 1821 by John Neagle, a noted Philadelphia portraitist of the 19th century.
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Photo Gallery: Wylie Textiles
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Detail of an appliquéd "Basket of Flowers" quilt from the 1860s. -
Detail of a very nicely quilted "Star" pieced quilt from the 3rd quarter of the 19th century. -
Detail of a beautiful silk "Tumbling Blocks" quilt made by Mary E. (Dunn) Maxwell in 1874 when she was 86 years old. -
Detail of a silk log cabin quilt made by Mary E. (Dunn) Maxwell in 1870. -
Appliquéd cotton tulip quilt made about 1870. -
Detail of a very nice appliqued quilt from around 1865, with embroidery embellishments. -
Detail of a Jacquard coverlet woven by James Craig of Washington County, Indiana around 1850. -
Detail of a double-weave coverlet probably made in the 1860s in Indiana or Ohio. -
Extremely fine linen bonnet owned by Sophia Wolcott Ellsworth (b. 1786; d. 1870). -
"Double Peony" quilt (pieced and appliqued) by Minerva Koontz of Kirksville, Indiana in the 1860s. -
Beiderwand Jacquard coverlet, woven in 1876. -
Detail of a Jacquard handwoven coverlet, probably made by the Muir brothers of Indiana. -
Detail of hand-woven Jacquard coverlet from 1844. Charlotte P. Andrew could refer either to the weaver or the person the coverlet was woven for. -
Detail of a pieced cotton quilt in "Drunkard's Path" pattern. Made by hand in the late 19th century. -
Detail of an exceptionally nice early 19th c. pieced quilt top in Honeycomb pattern. The pieces were "fussy cut" meaning that great care was taken when cutting the pieces of fabric so that the same motif from a print was used in each small hexagon. This resulted in a more intricate and "planned" pattern for the quilt top when assembled. -
A woman's neck piece made of netting and lace, from the 3rd quarter of the 19th century. -
A small table cloth of very fine linen with finely done embroidery and drawn work. -
Crazy quilt made by Rebecca Dennis Wylie in 1884. Beautifully done hand embroidery and lovely fabrics used. Quilt is in extremely fine condition. -
Detail of crazy quilt made by Rebecca D. Wylie. -
Detail of crazy quilt made by Rebecca D. Wylie. -
Detail of crazy quilt made by Rebecca D. Wylie. -
Detail of crazy quilt made by Rebecca D. Wylie. -
Detail of crazy quilt made by Rebecca D. Wylie. -
Gentleman's silk waistcoat/vest with very fine floral embroidery. This vest is a Wylie family artifact and probably belonged to Theophilus A. Wylie. -
Fine linen handkerchief with wide lace border. -
Child's dress worn by Marie L. Boisen. -
A Wylie family christening gown with very ornamental panel of ruching and lace down the entire front. Gown measures 40 inches long. -
Rebecca Wylie and her granddaughter Marie Boisen Bradley were noted for their fine needlework. Here is a detail of Marie's fine embroidery on a small linen tablecloth. -
Detail of a black lace triangular shawl worn by Louisa Wylie Boisen. -
A small silk purse with embroidery made by Rebecca Dennis to carry at her wedding to Theophilus A. Wylie in 1838. -
Fine cotton christening gown with V-shaped lace insert in bodice. Gown measures 35 inches shoulder to hem. A Wylie family artifact. -
Detail of christening gown bodice. -
Detail of lace lappet; a Wylie family artifact. -
Woman's silk handkerchief with bobbin lace edging. A Wylie family artifact. -
Detail of lace trim on a black silk dress; a Wylie family artifact. -
Woman's white cotton batiste bodice with elaborate pintucking, both horizontal and vertical. A Wylie family artifact. -
Handwoven wool coverlet, double-weave structure. -
Hand-loomed linen tablecloth from 19th century. -
Handwoven coverlet dyed with indigo and madder, dating from early 19th century. -
Detail of a red and green appliquéd quilt from the 19th century. Maker was either Mary Ann Roach Scarff, born 1842, or her mother, Ann Heade Roach, born 1824. Needlework is very fine on this quilt.
Hover over a thumbnail to view a larger image. Left- or right-click to open or save.