John E. Dowell, Jr Sam Gilliam Felrath Hines Gordon Parks Lorna Simpson Richard Hunt Romare Bearden John Woodrow Wilson Robert Colescott Adrian Piper Renée Stout Eldzier Cortor Richard Mayhew Carl Pope
African American Art Text Graphic

Richard Hunt

Cross Section , 1970

Richard Hunt’s sculpture Cross Section masterfully blends organic and industrial elements. Made from junk metal parts such as old car bumpers and bicycle handlebars, the sculpture recalls a human form in its frontal, upright stance and truncated “arms”; a plant form in its trunk-like pillar and branch-like protrusions; and a cross form—hence its title. Hunt looks to the natural world for inspiration, but not for subject matter. Abstract art, he believes, frees him to move beyond the visible world. He once surmised that “artists no longer must imitate nature, but are free to interpret it. Sometimes I try to develop forms nature might create if only heat and steel were available to her.” Cross Section—part of his “natural form” series—enabled Hunt to explore formal concerns about volume and mass, line and space.

Hunt’s creative approach may have its roots in his love of music. Raised on Chicago’s South Side, he grew up playing the violin and attending performances by local black opera companies. The impact of classical composers, such as Mozart, Rossini, Verdi, and Handel, is reflected in the smooth, undulating surfaces and harmoniously balanced shapes of his sculptures. Hunt was also inspired by Julio González (1876–1942), a Modernist Spanish sculptor, who was one of the first artists to devise welded-iron sculptures and who advocated the notion of “drawing in space,” a concept that Hunt enthusiastically adopted. In both his sculptures and works on paper, Hunt looks to create works that feel spontaneous, free, and dynamic.

Hunt began working with metal in 1954, while attending the School of the Art Institute of Chicago. Over the next year, he taught himself to weld and began to construct forms from sheet metal. In 1956, during his junior year of college, Hunt exhibited a piece in a major show at the Art Institute of Chicago, which a curator from the Museum of Modern Art saw and purchased. From this auspicious beginning, Hunt has developed a reputation as one of the world’s great sculptors. In addition to numerous fellowships, grants, visiting professorships, and artist residencies, Hunt has presented many solo exhibitions and has produced more than one hundred commissioned sculptures for public spaces across the country. His work was featured in the Indiana University Art Museum’s 1969 exhibition Four Artists, along with John E. Dowell, Jr., Robert Reed, and Robert Stull.

Romare Bearden, The Family

Richard Hunt
American, b. 1935
Cross Section, 1970
Welded steel
h. 187 1/2 x w. 33 x d. 14" (476.2 x 83.8 x 35.5 cm)
Museum purchase with funds from the National Endowment
for the Arts and the Jane and Roger Wolcott Memorial,
IU Art Museum 72.130
Art © Richard Hunt

Other Works:


Romare Bearden
Robert Colescott
John E. Dowell, Jr
Sam Gilliam
Felrath Hines
Richard Hunt
Gordon Parks
Adrian Piper
Lorna Simpson
John Woodrow Wilson
Renée Stout
Eldzier Cortor
Richard Mayhew
Carl Pope