- Ruth N. Halls Professor, Department of History
- Director, Center for Eighteenth-Century Studies
- B.Sc. at Hebrew University of Jerusalem, 1984
- M.A. at Tel Aviv University, 1987
- Ph.D. at Princeton University, 1993
|Ballantine Hall, Rm. 714|
I am a cultural historian of Western Europe in the transition from the pre-modern to the modern, focusing especially on Britain. Much of my work tries to understand what the terms in the previous sentence actually mean. What are the meaning and characteristics of modernity? How distant are we from our "pre-modern" or "early-modern" ancestors? My previous work took apart and then put together again some key narratives that the modern west tells about itself—first, the rise of class society and especially the middle class; and second, the emergence of the modern individual or modern self. In both cases I asked where do these narratives come from and what in fact were the historical developments that stood behind them (which were not at all those they claimed to represent). My main topics of interest therefore have been the meanings of identity and self—including categories of identity like gender, race and class; and their intersection with social, cultural and political trends. In recent years I have been drawn especially to the eighteenth century, when so many of those trends began. This interest is reflected in my role as the director of the Center for Eighteenth-Century Studies at Indiana University. I am currently completing two books. One is on a mysterious and virtually unknown painter from the late seventeenth and early eighteenth centuries whose work was (I argue) an ingenious commentary on the media revolution of this period and on the birth of modern politics. The other, which I am writing with Professor Jonathan Sheehan of the University of California-Berkeley, is about what differentiated the eighteenth century from the early modern period, a question that we want to answer through a close look at the changing role of god in the world as the source of order and harmony. In addition I have a separate interest in the history of Palestine and especially Jerusalem since the eighteenth century, and of photography in the Middle East.
- North American Conference on British Studies. Ben Snow Prize 2005, awarded to The Making of the Modern Self
- American Society for Eighteenth-Century Studies. Louis Gottschalk Prize 2005, awarded to The Making of the Modern Self
- Frederick Burkhardt Residential Fellowship, American Council of Learned Societies, 2002/3
- American Society for Eighteenth-Century Studies. Clifford Prize 2001, awarded for "Gender in Translation: How the English Wrote their Juvenal, 1644-1815", Representations 65, Winter 1999
- Cultural history
- Gender and sexuality
- Eighteenth century
- jewish Studies
Courses Recently Taught
- H680: The Cultural History of Industrial Society
- H630: Britain in the Eighteenth Century
- B200: The History of Jerusalem—Three Faiths, Three Thousand Years
- H680 Truth of the Humanities
The Making of the Modern Self. New Haven, CT: Yale University Press, 2004.
The Age of Cultural Revolutions: Britain and France, 1750-1820, edited with Colin Jones. Berkeley: The University of California Press, 2002.
Imagining the Middle Class: The Political Representation of Class in Britain, c. 1780-1840. Cambridge, UK: Cambridge University Press, 1995.
Capturing the Holy Land: Mendel John Diness and the Origins of Photography in Jerusalem Cambridge, MA: Harvard Semitic Museum, 1993.
Community and City: The History of the Bukharian Quarter in Jerusalem, Jerusalem Publications of the Izhak Ben Zvi Institute, 1991 (Hebrew).